Archive for the ‘Terri Lyne Carrington’ Category
Greg Osby: The Invisible Hand (Blue Note Records – 2000)
Greg Osby has come a long way from his beginnings in St. Louis playing funk and R&B. His sound crossed our radar screens after moving to Brooklyn and joining forces with Steve Coleman in the mid-‘80s to form M-BASE, an urban-beat driven jazz. Osby had a very calculated, sometimes emotionless sound. It was if he was working equations in his head as he played. Where his older recordings suffered from a staid studio approach, his recent effort, Banned In New York, a live “bootleg” recording, displays Osby as an emotional quick-witted band leader. His last disc, Friendly Fire, a co-led affair with Joe Lovano proved Osby deserves to be considered as one of the top musicians working today.
The Invisible Hand is further proof that Osby treads comfortably between the past and, importantly, the future of jazz. Joining him are Gary Thomas and Teri Lynn Carrington from his early Brooklyn days and two of the professor emeriti of jazz, Jim Hall and Andrew Hill. Hall is a guitarist that favors a subtle touch; a peculiar feature for someone so associated with cutting edge jazz. He has recorded classic albums with Sonny Rollins, Lee Konitz, and Paul Desmond. Lately, his Telarc dates have featured his third stream thinking. Andrew Hill’s Blue Note dates of the sixties were cerebral efforts, not quite post-bop and not really free jazz affairs. Early in Osby’s career he was a sideman for the late-‘80s Blue Note comeback of Hill. Likewise, he has recorded on two recent Hall dates. The Invisible Hand trades mathematics for emotion. The slow to mid-tempos presented are fertile grounds for group interplay and interpretation. For instance, they take on Fats Waller’s “Jitterbug Waltz,” a tune forever associated with Eric Dolphy. Rather than compete with our collective memories, Osby deconstructs the composition choosing bug parts over the whole, reworking it as an intellectual exercise. Osby’s deference to his esteemed colleagues shows. A stately and exquisite affair.
(All About Jazz)
1 Ashes
2 Who Needs Forever?
3 The Watcher Osby
4 Jitterbug Waltz
5 Sanctus Hall
6 (Back Home Again In) Indiana
7 Nature Boy
8 Touch Love
9 With Son Osby
10 The Watcher, No. 2
Personnel:
Greg Osby Clarinet, (Alto Sax )
Gary Thomas (Flute, Alto & Tenor Sax)
Jim Hall (Guitar)
Andrew Hill (Piano)
Scott Colley (Bass)
Terri Lyne Carrington (Drums)
Original Release Date: February 29, 2000 – Label: Blue Note Records
Wayne Shorter – Alegría (2003 – Universal)
It is an utter joy to witness the profound evolution of a genius. With the release of Alegria, Wayne Shorter continues to widen and refine his unique musical vision—and share it with the world. From the first few notes of the opening song, “Sacajawea,” it becomes immediately evident that we’re being invited into a lyrical sonic world that is beyond common jazz metaphor. This music is stripped of all superfluity and becomes a singular document—a meeting of heavy spirits.
The music on Alegria feels “lived in” and this aura pervades every piece on the recording, even the sessions with musicians outside of the quartet orbit and the overdubbed sections. The ‘lived in’ quality comes from Shorter himself; like his former employer Miles Davis, there is as much music in what he chooses not to play as what he does voice with his horn. His tremendous presence with each note and every gesture again recalls Miles Davis, inspiring those around him to rise to a higher level of understanding of the music they are asked to interpret.
1. Sacajawea;
2. Serenata;
3. Veniendo Alegria;
4. Bachianas Brasileiras No.5;
5. Angola;
6. Interlude;
7. She Moves Through the Fair;
8. Orbits; 12th Century Carol;
9. Capricorn II
Personnel:
Wayne Shorter: tenor and soprano saxophones;
Danilo Perez; Brad Mehldau: piano;
John Patitucci: bass;
Brian Blade, Terri Lyne Carrington-drums;
Alex Acuna-percussion;
Lew Soloff, Chris Gekker, Jeremy Pelt: trumpets;
Jim Pugh, Steve davis, Bruce Eidem, Papo Vasquez, Michael Boschen: trombones;
Chris Potter: bass clarinet, tenor saxophone;
Charles Curtis: solo cello;
Paul Dunkel: flute;
Steven Taylor: oboe;
Allen Blustine: clarinet, bass clarinet;
Frank Morelli-bassoon; John Clark, Stewart Rose-horns; Marcus Rojas-tuba; David Garrett, Barry Gold, Gloria Lum, Daniel Rothmuller, Brent Samuel, Cecilia Tsan: Cello
Original Release Date: March 25, 2003 (Label: Universal)
Across Rhythm 