Archive for the ‘Paul Bley’ Category
Jimmy Giuffre – Fly Away Little Bird (2003 – Sunny Side)
Recorded a year before this trio’s final record in ’93, Fly Away Little Bird delivers a more grounded, earthy performance than Conversations With a Goose. Here, Jimmy Giuffre, Paul Bley, and Steve Swallow explore their blues roots, particularly Giuffre. And, in addition to their trademark spontaneous inventions, they lovingly render five standards and a surprisingly strong composition by Juanita Odjenar Giuffre, Mrs. Jimmy. This was their third album for Owl after a 27-year hiatus.
Giuffre’s credited with the title track, a wistful group piece with Jimmy on clarinet. The three musicians easily revolve in and out of their solos and supporting roles. “Fits” gives Swallow a solo run that carries a vaguely Spanish flavor with classical counterpoint. All three give a heartfelt reading to Vernon Duke’s “Can’t Get Started.” After Jimmy’s mournful turn, Swallow bends his notes bluesy, and Bley takes a theatrical interlude.
Bley goes solo on “Qualude,” working a walking bass line through some minor harmonies. The modal inventions that follow are pure Bley, some deceptively simple ideas the build into a complex off-kilter blues. Juanita Giuffre’s “Possibilities” starts with a rubbery throbbing Swallow and Giuffre making short statements on soprano. Bley plays the progression in a clipped style, before blowing it apart. Giuffre goes on one of his amazing solo excursions on “Tumbleweed,” a clarinet workout that includes extended techniques, vocals sounding like Italian operetta, and sweet bluesy musing.
Kern and Hammerstein’s “All the Things You Are” gets a stiff intro from Bley and Giuffre, then Swallow enters in hyper-swing mode, and everyone gets on his bus. Bley manages to tweak his chords enough to keep it from being a totally straight interpretation. “Starts” continues Swallow’s solo exploration, this time less jaunty, less Spanish, but no less contrapuntal. The Gordon Jenkins composition, “Goodbye,” originally showed up on the trio’s second album for Verve, Thesis in 1961. Giuffre’s clarinet sings the sad song, with Swallow and Bley finishing his and each other’s phrases. Swallow’s unique bass approach creates a call and response role with the clarinet.
The long group improv “Bats in the Belfry” begins with a few lines from Giuffre on soprano that echo back from Bley and Swallow, and the variations commence. After various changes, Giuffre switches to clarinet, and in one sequence Bley sounds as if he’s playing prepared piano.
All About Jazz (Rex Butters)
1.- Fly Away Little Bird
2.- Fits
3.- I Can’t Get Started
4.- Qualude
5.- Possibilities
6.- Tumbleweed
7.- All The Things You Are
8.- Starts
9.- Goodbye
10.- Just Dropped By
11.- Lover Man
12.- Postlude
13.- Sweet And Lovely
14.- Bats In The Belfry
Personnel:
Jimmy Giuffre: Sop Sax, clarinet, voice;
Paul Bley: piano;
Steve Swallow: electric bass
Recording information: Sound on Sound Studio, NY (April 25th ,1992). – Released on July 29th, 2003 – Label: Sunny Side
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Chet Baker & Paul Bley: Diane (1985, SteepleChase)
This Album is an unusual collaboration for both musicians, Chet Baker & Paul Bley. “DIANE” is a set of slow, langorous ballads and one jazz original (Sonny Rollins’s “Pent-Up House”). Baker lends his wispy vocals to only “You Go To My Head,” but his trumpet sings satisfyingly throughout. Despite his well-known drug dependence, Baker continued to make good-to-great albums till the end of his life, and “DIANE” is no exception. But the revelation here is Paul Bley who studiously avoided recording jazz standards for nearly his whole career. Here, his stately tone and rich chordal work make an excellent foil for Baker’s nocturnal perambulations. A late-stage triumph for the two veterans.
Paul Bley: (Piano)
2. You Go to My Head
3. How Deep Is the Ocean?
4. Pent-Up House
5. Ev’ry Time We Say Goodbye
6. Diane
7. Skidadidlin’
8. Little Girl Blue
Original Release Date: February 27, 1985
Label: Steeplechase
Across Rhythm 