Archive for the ‘Nasheet Waits’ Category
Orrin Evans – Faith In Action (2010 – Posi-Tone Records)
Faith In Action is Orrin Evans’ first album on Posi-Tone Records and serves to further enhance the reputation of this New York-based pianist. The album is, in part, a tribute to and interpretation of the music of his friend and mentor, saxophonist Bobby Watson, who contributes five of the twelve tunes. It’s a fine tribute, indeed, and demonstrates Evans’ own talents as a player and interpreter.
Evans’ own compositions have immediate impact—especially the opening “Don’t Call Me Wally,” which is driven not only by Evans’ hard-hitting piano but by some fine rhythm work from drummer Nasheet Waits and bassist Luques Curtis. “MAT-Matt” is complex and changeable, regularly shifting rhythmically and stylistically. In its opening section the band plays freely, before Evans shifts to a repetitive, percussive, style. Before long, the trio enters a hard bop section via a short burst of swinging lyricism, until Waits’ brief solo drum part takes the tune into a slow and reflective ending. The more playful “Two Steppin With Dawn” features drummer Gene Jackson, with Evans returning to a hard-hitting and percussive style. Jackson suits this number admirably, hitting just the right groove to maintain the tune’s dynamism.
Watson’s compositions have the greatest emotional impact, however. “Faith In Action” is a gorgeous tune which Evans interprets with skill and empathy. On “Beattitudes,” Evans performs solo on another beautiful tune, once again finding an emotional connection that is clearly expressed in his playing. Best of all is “Love Remains,” with Waits and Curtis once again outstanding, while Evans is at his most delicate and affecting.
Faith In Action succeeds as a tribute to Bobby Watson, but it also succeeds as a demonstration of Evans’ talents, and as an enjoyable, creative recording by musicians at the top of their game.
(All About Jazz)
Luques Curtis (bass)
Nasheet Waits (drums)
Rocky Bryant (drums) (3)
Gene Jackson (drums) (5,9)
Recorded May 26, 2009 at Acoustic Recording Brooklyn, NY – 2010 – Label: Posi-Tone Records PR8058
Stefon Harris, Jason Moran, Greg Osby, Mark Shim: New Directions (2000 – Blue Note)
Another modern mainstream sextet plays standards. Not exactly. It’s true that Greg Osby, Stefon Harris, Mark Shim and Jason Moran are four of the most exciting younger cats to come along in years. And it’s true that they’re playing classic tunes from the modern mainstream vocabulary. But this front line is made up of two saxophones, giving the ensemble a unique sound quite apart from a standard lineup. What’s more, their treatment of these familiar melodies is nothing at all like standard treatment. As evidenced by their individual albums of the past two years, each of these four artists has something new to say.
Besides a few originals, New Directions includes classic compositions by Herbie Hancock, Wayne Shorter, Joe Henderson, Sam Rivers, Hank Mobley, Horace Silver, Lee Morgan, and Duke Pearson. The absence of a trumpeter on “The Sidewinder” cries out for a return to the CD collection. Old favorites like that one will be around forever, and the sound of Lee Morgan’s horn will always be close at hand. However, with this session it’s clear that Osby, Harris, Shim and Moran aren’t trying to reproduce the past. Instead, this sextet pushes everything further ahead, stretching the limits in hard bop fashion and recreating familiar standards with a fresh approach. Each of the four has already established himself as a dynamic leader with something new to say. Here, they say it together. Osby and Shim function as front line horns while Harris and Moran color and shade. Harris has the added role of functioning on occasion as a third horn; both he and Moran stretch out when soloing. Highly recommended, New Directions offers fresh, acoustic straight-ahead jazz with a unique delivery.
Jim Santella (All About Jazz)
1. Theme from “Blow-Up” (Hancock)
2. The Sidewinder (Morgan)
3. Ping-Pong (Shorter)
4. Beatrice (Rivers)
5. No Room For Squares (Mobley)
6. Song For My Father (Silver)
7. Tom Thumb (Shorter)
8. Commentary On Electrical Switches (Osby)
9. Big Bertha (Pearson)
10. Recorda Me (Henderson)
11. Song Of The Whispering Banshee (Harris)
12. Twenty Questions [false start] (Osby)
13. Twenty Questions (Osby)
Personnel:
Greg Osby: (alto sax)
Mark Shim: (tenor sax)
Stefon Harris: (vibraphone)
Jason Moran: (piano)
Taurus Mateen: (bass)
Nasheet Waits: drums)
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on May 10-11, 1999. Produced by Greg Osby and Michael Cuscuna.
Original Release Date: January 25, 2000 – Label: Blue Note Records
Across Rhythm 