Archive for the ‘Curtis Fuller’ Category
Benny Golson: The Best Of Benny Golson (2009 – Concord Music)
The seductive charm that makes Benny Golson’s “Whisper Not” so appealing has not diminished in half a century, as is evident when listening to the two performances found here, one recorded in 1956, the other just last year. The latter, with Al Jarreau singing the Leonard Feather lyrics with surprising sensitivity, comes from Golson’s latest version of the sextet he originally formed with the late Art Farmer in 1959. The 1956 instrumental recording, by a nonet, is an opulent rendering with heraldic flourishes by Julius Watkins’ French horn plus solos from Farmer’s trumpet, Gigi Gryce’s alto and Golson’s rococo climactic tenor sax.
“Whisper Not” is one of many tunes that have made Golson one of jazz’ leading composers. He has displayed an unfailing gift for suave melodies combined with elaborate and sophisticated harmonies, all spiced with rhythms ranging from sultry saunters to high-stepping marches. And his playing, like his compositions, never relinquishes melody, no matter how baroque or extravagant his bebop-inspired harmonic flights may soar.
“The Best Of” album concentrates as much on presenting Golson the improviser as it does the composer, with his early work represented by tracks featuring mostly quintets with trombonist Curtis Fuller. His solos reflect the influence of Lucky Thompson with intimations of John Coltrane’s explorations, especially on an aggressive “Are You Real?” The heavy, breathy vibrato of Thompson, most prominent on a very slow “April in Paris” from 1959, became much less pronounced over the years, as tracks from the ’80s on confirm, but Golson never lost that edge of velvet in his tone, nor that commitment to melody that make his solos on “Five Spot After Dark” (1997) and “Killer Joe” (2004) so warmly engaging.
George Kanzler (All About Jazz)
Personnel: Art Blakey, Ray Bryant, Paul Chambers, Kenny Dorham, Ray Drummond, Art Farmer, Tommy Flanagan, Curtis Fuller, Gigi Gryce, Barry Harris, Eddie Henderson, J.J. Johnson, Wynton Kelly, Marvin “Smitty” Smith, Arthur Taylor, and others.
Original Release Date: January 20, 2009 – Label: Concord Music Group
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Curtis Fuller – The Opener ( 1957 – Blue Note Records)
Track List:
01 A Lovely Way to Spend an Evening
Personnel:
Original Release Date: June 16, 1957 (Label: Blue Note Records)
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John Coltrane – Blue Train (2003 – Blue Note Records)
Blue Train gives a taste of what that might have been like, as well as a taste of what was to come. This reissue of the 1957 album finds Trane blowing hard on one of his first albums as a band leader. With one foot still in the Charlie Parker catalog and one ear turned toward hard bop, the album sounds like a typical club set. The album is best known for the title track, Coltrane’s first notable composition. His solo starts off with an announcement that he has something to say, but quickly moves toward Birdland. “Moment’s Notice” and “Locomotion” also demonstrate that, even before his work was informed by his eventual stylistic uniqueness and spiritual depth, Trane could write a compelling, well-organized tune.
The group’s rendering of the Kern/Mercer ballad “I’m Old Fashioned” and Trane’s “Lazy Bird” are a let down after the first three, although each has some nice playing by various band members.
The album benefits from Paul Chambers and Philly Joe Jones from Miles’ band laying down the bass and drums. Kenny Drew’s plays bluesy piano completes the excellent rhythm section. A young Lee Morgan contributes to the boppish flavor of the album with his Gillespie-ish licks (he even played a bent up horn). Curtis Fuller passes up the rapid fire riffing trombonists sometimes employ in trying to keep up with their more nimble bandmates in favor of a more nuanced, rhythmic variety. And he burns when he has to.
07 Lazy Bird (alternate take)
Personnel:
Across Rhythm 