Art Farmer: Yesterday’s Thoughts (2005 – Test of Time Records)

Possibly better-appreciated in the latter period of his life and after his death, Art Farmer, along with Clark Terry, was instrumental in bringing the flugelhorn, a mellow cousin of the trumpet, to the fore. Appearing on literally hundreds of recordings and releasing over seventy albums under his own name, he may have been the perfect definition of the journeyman musician—well-known in music circles, but a name that tended to elude the larger record-buying public for many years. Still, with a lyrical style that set him apart from many of his stratosphere-reaching contemporaries, Farmer has aged incredibly well in retrospect.
Yesterday’s Thoughts is part of the fledgling Test of Time record label’s commitment to making recordings, originally released by the Japanese East Wind Music label in the ’70s—and previously only available as expensive import LPs—accessible to North American audiences. Like the first two releases on the label—Andrew Hill’s Hommage and the Great Jazz Trio’s At the Village Vanguard—Yesterday’s Thoughts has been remastered using the Direct Stream Digital process (DSD), and the result is a sound that as closely resembles what the musicians heard in the studio control room as is possible.
With an all-star cast featuring pianist Cedar Walton, bassist Sam Jones, and drummer Billy Higgins, this outing may be identified by the liner notes as a ballad recording, but that couldn’t be further from the truth. The opening track, Michel Legrand’s “What Are You Doing the Rest of Your Life, does set the pace for a relaxed session, and the Benny Golson title track is a tender piece indeed; but there’s plenty of variety on the date, from the medium-tempo bossa of Jobim’s “How Insensitive to the at-ease swing of Mercer/DePaul’s “Namely You and Dietz/Schwartz’s “Alone Together, plus the more energetic Walton original “Firm Roots.
What makes the whole session sound so effortless may be the behind-the-beat approach of virtually everyone on the session. Farmer may demonstrate the most laid-back phrasing this side of Dexter Gordon, with Walton, Jones, and Higgins following close behind. And the sense of swing is unassailable; even on the two ballads there’s that indefinable quality that makes everything dance. Walton’s lightly funky bop approach lends a brighter element to an otherwise soft and mellow session. Even when the group takes off, as it does on “Firm Roots, there’s a complete lack of anything resembling an edge, with Higgins’ touch in particular feeling gentler than usual.

Easy on the ears, Yesterday’s Thoughts captures Farmer at particularly busy time in his career—during ’76 and ’77 he’d release no fewer than six albums under his own name. But in Farmer’s case, boosting quantity didn’t mean sacrificing quality, and Yesterday’s Thoughts is a welcome addition to the Farmer back catalogue: an album that, in its own quiet way, reaffirms Farmer’s strength as a rich-toned, melodic player who may only be receiving his proper due retrospectively.
John Kelman (All About Jazz)

Tracklist
1. What Are You Doing The Rest Of Your Life
2. How Insensitive
3. Namely You
4. Alone Together
5. Yesteray’s Thoughts
6. Firm Roots

Personnel:
Art Farmer (flugelhorn)
Cedar Walton (piano)
Sam Jones (bass),
Billy Higgins (drums)

Original Release Date: 1976  –  Label: Test of Time Records
Realesed on CD: 2005

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Benny Golson: The Best Of Benny Golson (2009 – Concord Music)

The seductive charm that makes Benny Golson’s “Whisper Not” so appealing has not diminished in half a century, as is evident when listening to the two performances found here, one recorded in 1956, the other just last year. The latter, with Al Jarreau singing the Leonard Feather lyrics with surprising sensitivity, comes from Golson’s latest version of the sextet he originally formed with the late Art Farmer in 1959. The 1956 instrumental recording, by a nonet, is an opulent rendering with heraldic flourishes by Julius Watkins’ French horn plus solos from Farmer’s trumpet, Gigi Gryce’s alto and Golson’s rococo climactic tenor sax.
“Whisper Not” is one of many tunes that have made Golson one of jazz’ leading composers. He has displayed an unfailing gift for suave melodies combined with elaborate and sophisticated harmonies, all spiced with rhythms ranging from sultry saunters to high-stepping marches. And his playing, like his compositions, never relinquishes melody, no matter how baroque or extravagant his bebop-inspired harmonic flights may soar.
“The Best Of” album concentrates as much on presenting Golson the improviser as it does the composer, with his early work represented by tracks featuring mostly quintets with trombonist Curtis Fuller. His solos reflect the influence of Lucky Thompson with intimations of John Coltrane’s explorations, especially on an aggressive “Are You Real?” The heavy, breathy vibrato of Thompson, most prominent on a very slow “April in Paris” from 1959, became much less pronounced over the years, as tracks from the ’80s on confirm, but Golson never lost that edge of velvet in his tone, nor that commitment to melody that make his solos on “Five Spot After Dark” (1997) and “Killer Joe” (2004) so warmly engaging.
George Kanzler (All About Jazz)

Track List:

1. Whisper Not

2. Reunion

3. Are You Real?

4. Blues After Dark

5. I Didn’t Know What Time It Was

6. April in Paris (5:11)

7. Along Came Betty (Live)

8. Five Spot After Dark

9. Killer Joe

Personnel: Art Blakey, Ray Bryant, Paul Chambers, Kenny Dorham, Ray Drummond, Art Farmer, Tommy Flanagan, Curtis Fuller, Gigi Gryce, Barry Harris, Eddie Henderson, J.J. Johnson, Wynton Kelly, Marvin “Smitty” Smith, Arthur Taylor, and others.

Original Release Date: January 20, 2009 – Label: Concord Music Group
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